16,523 Free Images of Lewis River

the aboriginal portfolio lithographs in the smithsonian american art museum hand-colored lithograph on paper smithsonian american art museum james otto lewis ojibwa people ho-chunk hudson river school oil on canvas potawatomi (people)

Hospital Cues. Hand-colored aquatint engraving by F. Hegi after Karl Bodmer, Franz Hegi

cusanusstift st. nikolaus (kues)engravings of monasteries

A View of the Casconchiagon or Great Seneca Falls, Lake Ontario, North America, Taken on the Spot 1766, Thomas Davies, circa 1780–1812

paintings by thomas davies in the national gallery of canada high falls of the genesee river

Life and Letters of Lewis Carroll - Mrs Rossetti and her children, Dante Gabriel Rossetti, 1898

life and letters of lewis carroll (book)pre-raphaelite brotherhood,symbolism

View of Parliament Hill and Chaudière Falls. "City of Ottawa, Canada West", ca. 1859, by Stent and Laver., circa 1859

chaudière falls in art 1859 in ottawa

Keya Paha Lewis Bridge deck detail

self-published work cc-zero

The Bridge over the Allier at Pont-du-Chateau in Winter (1886), Albert Lebourg, 1886

impressionism,post-impressionism,rouen school paintings of france by albert lebourg

Dhuah Koonde, William Daniell, 1803

british library asia, pacific and africa collections oriental scenery (part 4)

Military Review in Berlin - Patton and Stimson, 20 July 1945

john j. mccloy in 1945 potsdam conference

Portrait of Robert Scott Duncanson (1821-1872)

robert scott duncanson hudson river school

ClintonRooseveltRoom

crossing the river platte hudson river school

Maquignons (Horse Dealers), John Lewis Brown

prints in the national gallery of art (washington, d.c.)john lewis brown

West bank of Green River. Sweetwater County, Wyoming, William Henry Jackson, 1869

sweetwater county, wyoming rail tracks in wyoming

Keya Paha Lewis Bridge NE truss

self-published work cc-zero

Keya Paha Lewis Bridge underside detail

self-published work cc-zero

Cartoonists of America - Ottumwa Courier October 23, Homer Davenport, 23 October 1900

newspapers of the united states, 1900 cartoonists from the united states

TENS-QUA-TA-WA or The One Who Opens the Door; Shawnese Prophet (Brother of Tecumthe), from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Celebrated Ottowa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MA-KO-ME-TA or the Bear’s Oil; A Monomonie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MA-CHE-KA-KAT or the Bad Hawk; A Monomonie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Field Marshals Alexander and Wilson with Henry Stimson - Potsdam, 19 July 1945

harold alexander, 1st earl alexander of tunis harry s. truman at the potsdam conference

Lower Lewis River Falls in WA (51284930814)

landscape water

Battle of Island Number 10, Frank Leslie, 26 April 1862

1862 in kentucky 1862 engravings

The Meteor of 1860, Frederic Edwin Church

paintings by frederic edwin church hudson river school

Foggy Morning on the Thames, James Hamilton, between 1872 and 1878

paintings of the river thames james hamilton (1819-1878)

Dellenbaugh Butte

green river (colorado river) in utah dellenbaugh butte

Tower Creek, Thomas Moran, 1871

hudson river school towers in art

The Moray Minstrels (Invitation card of Arthur James Lewis), Frederick Walker, 1865

william harcourt hooper idyllic school

Jack Dempsey and Alonzo Victor Lewis, Seattle, ca. 1923, Alonzo Victor Lewis, circa 1923

alonzo victor lewis jack dempsey

River Landscape with Cattle., Charles Baker, 1863

hudson river school paintings charles baker

Mount Madison from the Androscoggin River, William Hart, 1862

paintings by william hart hudson river school

Philadelphia from Petty Island, Thomas Birch

american paintings in the museum of fine arts, boston thomas birch (1779-1851)

Old Fish Market Philadelphia 1837 HSP

delaware river in the 1830s philadelphia in the 1830s

Asher Brown Durand - The Catskills - Walters 37122

platanus occidentalis walters art museum.

Cole Thomas View of Florence from San Miniato 1837

landscape paintings in the cleveland museum of art american paintings in the cleveland museum of art

Sanford R. Gifford, Sanford Robinson Gifford, 1861

sanford robinson gifford hudson river school

Life and Letters of Lewis Carroll - Sir John Tenniel, John Tenniel, 1898

life and letters of lewis carroll (book)john tenniel

The Delaware Water Gap, George Inness, circa 1857

british paintings in the national gallery, london hudson river school

Album of Virginia (1858) (14778735215), 1858

james river (virginia) in art album of virginia (1858)

Wanderings by the Loire (1833) (14757848326), 1833

wanderings by the loire (1833)romanticism

A View of the Butte Des Morts Treaty Ground; With the Arrival of the Commissioners Gov. Lewis Cass and Col. McKenny, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Pilots Station - H. Lewis pinx. ; Lith. Jnst. Arnz & Co. Düsseldorf. LCCN93515350, Henry Lewis, 1857

la balize, louisiana 1857 in louisiana

Tokaido06 Fujisawa, Utagawa Hiroshige

fujisawa (the fifty-three stations of the tōkaidō)utagawa school,kasei culture,ukiyo-e

Sir John Whalley-Smythe-Gardiner, 4th Baronet, (1814-1868), Bath, 1780, pastel portrait, (12 x 9 inches), by Lewis Vaslet (1742-1808)

1780 portrait paintings of men lewis vaslet

Mosque of Yeni Jami and Saint Sophia from the Golden Horn - Lewis John F - 1838, John Frederick Lewis

illustrations of constantinople made during a residence in that city in the years 1835-6 (1838)orientalism

Custom house, Constantinople - Lewis John F - 1838, John Frederick Lewis

illustrations of constantinople made during a residence in that city in the years 1835-6 (1838)orientalism

Keya Paha Lewis Bridge SE abutment

self-published work wood

Chippeway Women, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TA-MA-KAKE-TOKE or the Woman that Spoke First; A Chippeway Woman (mourning), from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Morning in the Valley by Charles Wilson Knapp, 1867, Charles Wilson Knapp

charles wilson knapp hudson river school

Die Gartenlaube (The Garden Arbor), Rudolf Cronau

gartenlaube (1882)rudolf cronau

Lewis and Clark on the Lower Columbia, 1905, Charles Marion Russell, before 1926

lewis and clark on the lower columbia (charles m. russell)american renaissance

AFR V3 D344 Confluence of the Kwara (Niger) and Benue, 12 June 1892

the earth and its inhabitants, vol. xii: africa, vol. iii 1892 in africa

An English frigate hove-to off the southern bank of the Tagus, Joseph Schranz

19th-century paintings of ships tagus river in almada

San Juan River canyon, 1 January 1909

the romance of the colorado river (dellenbaugh)san juan river (colorado river tributary)

Beneeden rivier de Maas, Isaak Tirion, 1769

1760s maps of the netherlands old maps of south holland

William Thomas Lewis as Mercutio in 'Romeo and Juliet', Gainsborough Dupont, 1794

18th-century portrait paintings in the national portrait gallery, london gainsborough dupont

CHA-CO-TO, A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-CHE-CO; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WADT-HE-DOO-KAANA; Chief of the Winnebagoes, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NA-SHE-MUNG-GA, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

THE SON; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Chippeway Woman and Child, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

BREWETT; A Celebrated Chief Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAA-TAA-KE MUNG-GA or the Speckle’d Loon, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

BILLY SHANE; A Shawnee Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NAH-SHAW-A-GAA The White Dog’s Son, Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-SCHICK-EE; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-ME-ONE or Rain; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O’-CHECK-KA or Four Legs; Head Chief of the Winnebagoes of Winnebago Lake Michigan, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHOUNK-CHUNK the Black Wolf; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAN-NO-SA-QUA; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NABU-NAA-KEE-SHICK or The One Side of the Sky, A Chippewa Chief, from The Aboriginal Portfolio - SAAM - 1973.167.20, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-NA-TAA or the Foremost in Battle; Chief of the Sioux Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Young Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHING-GAA-BA-W’OSIN or the Figure’s Stone; Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑CHE-NA-SHINK-KAD or the Man that Stands and Strikes; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHE-SHEBA or The Little Duck; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KITCH-EE-I-AA-BA or the Big Buck; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

THE LITTLE CROW, A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PACHE-E-PO; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TOO-SHA-NA-GAN-KA or The Little Otter; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-KAUN-SEE-KAA or the Rattle Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KE-WA-DIN or the North Wind; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

AT-TE-CONSE or the Young Rein Deer; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

FRANCIS GODFROY; A Celebrated Chief Among the Miamis, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BIN-DE-BA or the White Headed Eagle; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

the aboriginal portfolio ojibwa people

PE-A-JICK; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KER-O-MENEE; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-KAUN or the Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MISH-SHA-QUAT or the Clear Sky; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-TOP-E-NOT or the Eagle’s Bed; A Fox Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CHAT-O-MIS-SEE; Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MEN-DOW-MIN or The Corn; A Chippewa Dwarf, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BA-SHAW; A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TSHU-GU-GA; A Celebrated Chief half Winnebago and half French, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MI-A-QU‑A; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PEN-NOW-WE-TA; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-EM-BOESH-KAA; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAW-TAA-WAA-BE-TA or the Snagle’d Tooth; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

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